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LГ¦titia Tamko, who makes music as Vagabon, has said that вЂњFloodвЂќ was initially written for another act to record. But thatвЂ™s the thrill of black midi: TheyвЂ™re as unsure of where the muse will lead them as the listener is. As the song continues, these disruptions become more frequent, building to a tempest of discord thatвЂ™s cathartic, indulgent, and kind of silly. Energetic bolts of noise and percussion materialize from the sky and vanish just as quickly, disrupting the groove but not toppling it. The resulting mood is placid but tense, like a flame meandering down a fuse. On вЂњbmbmbmвЂќ (pronounced вЂњboom boom boomвЂќ), they are puckish and aloof, stacking oblique lyrics and a warped sample of a wailing woman over a calm bass riff and steady drumming. ItвЂ™s tempting to take the quartetвЂ™s audacity as a challenge-to pop sensibilities, to listener patience-but itвЂ™s more rewarding to embrace their constant sense of wonder. вЂ“Marc HoganД«lack midi traffic in beautiful convulsions, spazzing between rhythms, textures, and keys with a dexterity thatвЂ™s so precise itвЂ™s dazzling, so fluid itвЂ™s showy.

вЂњDrГёmmen om Г (Forever Mix вЂ™19)вЂќ may hit like a shock of tropical color against a gray city exterior, but it takes the length of an early-morning dream to achieve its blissful effects. But the music here is slower-paced, introspective. Forever Mix is the second release from KulГёr, the label run by fellow Danish artist Courtesy, following a compilation that introduced the cityвЂ™s вЂњfast technoвЂќ style.

вЂњDrГёmmen om Г (Forever Mix вЂ™19)вЂќ (the first part of the title translates to вЂњThe Dream of the IslandвЂќ) is also a strange bird within MarottвЂ™s own Copenhagen techno scene. The recordвЂ™s A-side, вЂњDrГёmmen om Г (Forever Mix вЂ™19),вЂќ is a sumptuous, 14-minute mini-suite that lofts picturesque bird calls atop sleek drum pulse, rubbery acid synths, clattering Latin percussion, and other meticulously rendered subtleties. Yoshinori MizutaniвЂ™s cover photograph of vivid lime-green parakeets outside a drab urban building is ingeniously suited for Kasper MarottвЂ™s Forever Mix EP. Kasper Marott: вЂњDrГёmmen om Г (Forever Mix вЂ™19)вЂќ It turns out the woman who built a career on fairy tales and scorched-earth breakup songs is just as deft with the simple and soulful. This is the stuff of real intimacy, of partnership, of creating a language and a life together. вЂњLoverвЂќ features a classically swooning, Swiftian bridge-one designed to soundtrack wedding vows in renovated barns until the end of time-but its most penetrating lines depict the unglamorous stuff: telling dirty jokes, saving seats, deciding whether or not to drag out the air mattress for your college friends. How can you make sure a good thing lasts forever? Both songs are tributes to the dirty work that goes into keeping a relationship healthy, and theyвЂ™re spiked with the fear and doubt people feel even when that work is paying off. With its rustic arrangement and domestic imagery, it sounds like a spiritual sequel to вЂњNew YearвЂ™s Day,вЂќ the acoustic cleansing that closes 2017вЂ™s divisive Reputation. вЂњLover,вЂќ the title track from her most recent blockbuster LP, is a reminder of how effortlessly she can translate specific gestures and moments into universal expressions of romance. ThereвЂ™s room in Taylor SwiftвЂ™s galaxy for celebrity warfare, veiled political commentary, and enthusiastic allyship, but her work is finest when itвЂ™s laser-focused on flawed, hopeful people making a connection.

Light skin black with green eyes from fifth harmony song worth it